civica

Chapter 2 - The Siege on Moretti Manor

The screech of tires echoed across the stone courtyard outside.

Before the guards at the perimeter could issue a second warning over the comms, the heavy roar of automatic gunfire shattered the quiet of my estate. Glass imploded in the foyer downstairs.

My instincts, honed by two decades of violence, kicked in instantly.

I pulled my customized Kimber .45 from my shoulder holster and stepped between Elena, the four boys, and the grand dining room windows.

“Elena, move! Now!” I ordered, my voice cutting through the rising terror.

Elena didn't hesitate. She gathered two of the boys in her arms while the other two clung to her skirt. The boys didn't cry; they moved with a strange, eerie discipline that told me this wasn't the first time they had been taught to run from gunfire.

“Where, Alejandro?” she gasped, her face pale as ash.

“The wine cellar. The reinforced steel door behind the barrel rack,” I commanded, racking the slide of my pistol. “Lock it from the inside. Do not open it for anyone except my voice.”

“Is that the man from the picture coming with us?” the smallest boy—Mateo—asked, looking up at me with wide, innocent brown eyes. He was still clutching the photograph of Sofia.

My chest cracked open. For four years, I had believed my bloodline ended with my grief. Looking into four identical pairs of eyes, I knew I would tear Chicago apart before letting a single bullet touch them.

“Go!” I barked.

Elena rushed the boys through the hidden passageway behind the pantry just as the grand mahogany doors of the dining room blew inward off their hinges.

A flashbang grenade bounced across the parquet floor.

I lunged behind a marble pillar, covering my eyes and ears a fraction of a second before the blinding white light and deafening detonation filled the corridor. Smoke poured into the room, smelling of scorched magnesium and sulfur.

Three men in tactical gear, wearing unmarked black helmets and holding silenced submachine guns, swept into the dining room. They didn't move like street thugs or rival gang members. They moved with military precision.

Mercenaries. Professional hitmen.

“Clear the room! Target the children!” one of them yelled in a harsh, accented voice.

Target the children.

The cold rage that had kept me alive in the Chicago underworld for twenty years transformed into something apocalyptic.

I stepped out from behind the marble pillar.

Three shots. Three rapid thuds.

The lead tactical shooter took two rounds to the center chest plate and a third straight through the visor of his helmet. He dropped instantly.

The second man spun toward me, bringing his submachine gun up, but I closed the distance before his finger could squeeze the trigger. I grabbed the barrel of his weapon, forced it upward as it fired a burst into the plastered ceiling, and drove my combat knife straight up through the underside of his chin.

The third assassin backed away, raising his weapon, but I brought my pistol up and emptied the remainder of my magazine into his collarbone and throat.

Silence returned to the dining room, broken only by the crackle of smoke and the soft hum of the air conditioning.

Outside, the heavy gunfire from my perimeter security squad was dying down. My loyal men—men who had bled for the Moretti name—were systematically eliminating the breach teams in the driveway.

I reloaded my Kimber, clicked the safety off, and walked toward the leader I had shot first.

He was still twitching, blood pooling beneath his tactical vest. I knelt beside him, unclipped his helmet, and ripped it off.

I didn't recognize his face. But on the left side of his neck, partially obscured by a tactical collar, was a dark, branded tattoo: a coiled viper biting its own tail.

My pulse froze.

The Ouroboros mark.

It belonged to the Bellini Syndicate—the dominant criminal family out of New York that had been trying to infiltrate Chicago’s shipping docks for a decade. But Don Lorenzo Bellini had signed a peace treaty with me five years ago, right after my wife died.

Why would Bellini send an elite strike team into my personal residence to execute four four-year-old boys?

How did Bellini even know these boys existed when I didn't even know?

Footsteps pounded up the stairs. My second-in-command, Dante, burst into the dining room with five heavily armed Moretti enforcers. Dante was bleeding from a graze on his temple, his face covered in soot.

“Boss!” Dante breathed, sweeping his rifle across the dead bodies on the floor. “The perimeter is secured. We took down two of the SUVs. One got away. Are you hit?”

“I’m fine,” I said, stepping over the corpses.

Dante looked at the dining table—the four miniature porcelain plates, the spilled yellow rice, the tiny juice cups. His eyes widened in absolute confusion.

“Boss... what is this?” Dante asked, staring at the children’s table. “Who was in here?”

I turned to Dante, my eyes cold enough to freeze blood.

“Lock down the compound. No one leaves. No one enters. Put a sniper on every roof within two miles,” I ordered. “And get my car prepped in the underground garage. We are moving.”

“Moving where, Boss?”

“To a place where nobody knows my name,” I said.

I walked back toward the pantry, opened the secret door, and descended the cold stone steps into the dark wine cellar.

There, sitting on the cold concrete floor beneath a single hanging bulb, Elena was holding the four boys tight against her chest. The little boys were huddled around her, quietly whispering to each other.

When Mateo saw me walk down the stairs, covered in gunpowder and blood, he didn't scream. He simply stood up, walked over to me, and held out his small hand.

“Is the noise gone, Daddy?” he asked.

The word shattered whatever was left of Alejandro Moretti, the feared Don of Chicago.

May you like

I dropped to one knee, pulled the tiny boy into my arms, and looked at Elena.

“Start talking, Elena,” I said, my voice shaking for the first time in my life. “Before I burn this entire city to the ground looking for answers.”

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