Chapter 3 - Whispers in the Hallway

The master suite on the second floor was forbidden territory during the late afternoon. Vincent held his private calls there, secluded behind double doors of soundproofed oak.
Nora had learned to time her cleaning duties precisely. She worked the west wing while he was in the city, the lower salons when he took meetings in the study, and retreated to the laundry rooms when the house grew crowded with heavy-set men speaking in clipped, angry tones.
Today, however, an envelope had arrived via private courier, stamped with red wax and marked *URGENT / V.C. ONLY*. Mrs. Gable, the elderly head cook whose arthritis was acting up, had pushed the envelope into Nora’s hands.
*“Take it up to his study door, dear. Don't knock. Just slide it beneath the jamb and walk away.”*
Nora climbed the sweeping spiral staircase, the thick plush carpet swallowing her footsteps. The corridor of the second floor was silent, save for the rhythmic tick of a grandfather clock at the far end. Oil paintings of Chicago’s industrial past—smokestacks, steel mills, rail yards—lined the wood-paneled walls in gilded frames.
As she reached Vincent’s study, she paused. The door was cracked open a quarter of an inch.
A voice spilled out, low and razor-sharp.
“...he tracked her to Lake County.”
It was Mason, Vincent’s head of security, the younger man who had choked back a laugh during Lucy’s rabbit court-martial the previous day.
“How close did he get?” Vincent asked. The sound of ice clinking against glass followed.
“Two miles. A motel off Route 41. He had two of Valenti’s collectors with him,” Mason reported. “They didn't come to Lake Forest directly. They’re sniffing around the schools and daycare centers first. They don’t know she’s living on-site. They think she’s renting in Highland Park.”
Nora’s breath caught in her lungs. The envelope in her hands shook. *Greg.* He wasn't in Florida. He had come here. He was hunting for Lucy.
“And Bennett himself?” Vincent’s tone was dangerously flat, devoid of emotion.
“Strung out. Panicking. Telling anyone in the South Side dives that his ex-wife is sitting on a goldmine because she works for the Calder family. He thinks he can use her to broker his debt forgiveness with Valenti.”
A long silence hung inside the room. Nora leaned an inch closer, her chest pressed against the wall, terror vibrating behind her ribs.
“Put three men on the perimeter of the preschool she applied to,” Vincent ordered. “If Greg Bennett shows his face within five blocks of that child, pick him up. Don’t kill him. Just put him in the south warehouse cellar. I want to speak with him personally.”
“Understood, boss. And the mother? Does she know he’s in the city?”
“No,” Vincent said. “And she isn't going to.”
“Vincent,” Mason hesitated, a note of rare caution in his voice. “If Valenti realizes you’re protecting Bennett’s family, he’ll claim you’re interfering in family business. The commission will back him. You’re giving him a pretext to shut down Pier 14.”
“Let him try,” Vincent snapped, the edge of his patience breaking. “Pier 14 is made of concrete and steel, Mason. I can rebuild a pier. What I will not do is let a degenerate junkie drag a three-year-old girl into a gutter because his bookie wants fifty grand.”
Nora felt tears burn the backs of her eyes. It was insane. This man—a ruthless syndicate head feared across the Midwest—was putting his own empire at risk over a child who had yelled at his dog.
She took half a step backward, intending to retreat before they discovered her, but her heel caught the edge of a brass runner.
The floorboard gave a minute, muffled creak.
Inside the room, the voices cut out instantly.
Nora froze, terror seizing her muscles. Before she could run, the door was yanked wide open.
Vincent stood in the entryway. His jacket was off, his white dress shirt unbuttoned at the collar, revealing the hollow of his throat. In his right hand, held casually down against his thigh, was a semi-automatic pistol.
When his eyes landed on Nora, his expression didn't soften, but the gun vanished behind his back with practiced, terrifying fluidness.
May you like
“Nora.”
Mason