civica

Chapter 5 - The Woman in the Photographs

My hand shook so hard I nearly dropped the phone onto the concrete.

*Clara.*

The name struck me like ice water. Two months before the wedding, while Brad and I were having dinner at an upscale steakhouse in Waterloo, an acquaintance of his had stopped by the table. The man had looked at me, blinked with genuine surprise, and muttered, *“Good to see you out, Brad. For a second, I thought Clara had come back.”*

Brad’s smile had vanished instantly. He had brushed the comment off with an icy wave of his hand, saying Clara was an old college girlfriend who had moved to the West Coast years ago. When I asked about her later that night, he had snapped at me, telling me to stop digging into things that didn't concern me.

Now, Clara was a ghost haunting a text message from a burner number.

I hurried back to the sedan, locked the doors, and replied to the text:

*Who is this? Who is Clara?*

Two minutes passed. Three. No reply. I tried calling the number; it went directly to a disconnected automated greeting. A disposable prepaid phone.

My mind raced all the way back to the Sterling estate. If Brad’s family had done this before, there was a precedent. There was a playbook.

When I pulled up the long gravel driveway, Patricia’s Mercedes was missing from the front courtyard. Brad was at the city zoning department until five. The house was massive, quiet, and imposing against the gray afternoon sky.

I parked by the detached carriage house and walked toward the far corner of the estate.

Behind the manicured rose bushes and the stone patio stood the old Victorian garden shed—a picturesque outbuilding covered in English ivy, used mostly for storing antique lawn furniture, pruning shears, and garden pots. The heavy oak door was unlocked, groaning on rusted hinges as I pushed it open.

The air inside smelled of potting soil, dry cedar, and mildew.

In the back corner sat a dust-covered rolltop desk, buried beneath old gardening magazines and broken terracotta planters. I cleared away the debris, dropped to my knees on the cold dirt-stained concrete floor, and inspected the wooden planks beneath the knee-hole.

The floorboards looked solid, weathered with age. But as I ran my fingers along the seam near the baseboard, one of the pine planks gave slightly under my weight.

I pulled a flathead screwdriver from an old toolbox on the workbench and wedged the tip beneath the loose board. With a sharp crack, the plank lifted.

Hidden in the hollow space between the floor joists was an olive-green metal lockbox.

It wasn't locked. The latch fell open with a dull metallic thud.

Inside lay a bundle of items that made my heart stop:

A stack of medical prescription bottles, all labeled with the name *Clara Evans*, prescribed by a Dr. Arthur Vance in Cedar Falls. The labels were for heavy doses of Lithium and Lorazepam—antipsychotics and severe sedatives.

Beneath the bottles was a spiral-bound diary, its pages wrinkled from humidity. I opened the front cover. Written on the first page in frantic, looping cursive were the words:

*“They are telling everyone I’m crazy. Patricia pays Dr. Vance to write the scripts. Brad keeps taking my keys. If I don't sign the property release, they won't let me leave this house.”*

I turned the page. Tucked inside was an Iowa driver’s license.

I stared at the photograph. Clara Evans had blonde hair, green eyes, and high cheekbones. She looked barely twenty-five years old. But what chilled me to my core was her face.

Except for the hair color, she could have been my sister. We had the exact same build, the same quiet features, the same vulnerable, trusting look in our eyes before we walked into the Sterling house.

They didn't just have a plan for me.

May you like

They had a prototype.

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