civica

Chapter 3 - The Echo in the Framing

By 2:30 AM, Roman had personally carried Mia and her baby sister down to the staff quarters in the east wing of the estate.

Grace Harper was lying under two thin blankets in her small bedroom, her face pale, her skin burning with a brutal flu fever. When she saw Roman Duca standing in her doorway holding her infant daughter while Mia trailed behind him, she tried to force herself out of bed, her hands trembling violently.

"Mr. Duca—oh God, I'm so sorry—" Grace gasped, her voice broken and raspy. "I fell asleep... I told Mia to stay in bed, I didn't know she went up there—"

"Lie down, Grace," Roman said, his voice absolute.

He laid the baby down beside her, pulled the heavy duvet from the guest wardrobe, and draped it over them both. He motioned to his personal physician's private number on his phone, hitting speed dial.

"Dr. Vance will be here in twenty minutes," Roman said, looking down at the shivering woman who had kept his home spotless for eight years without him ever truly seeing her. "You are off duty for the next two weeks. Full pay. If Harrison breathes a word to you, I will throw him into the Atlantic."

Grace stared at him, tears leaking from the corners of her eyes. "Thank you... thank you, Mr. Duca."

Roman turned to Mia, who was standing by the foot of the bed, watching him with that same unnerving, ancient calm.

"Stay with your mother," Roman told her. "I'm locking the third-floor wing tonight."

He didn't wait for an answer. He walked out, locking the heavy oak door to the staff quarters behind him, leaving two armed guards in the hallway—men who looked bewildered to be guarding a sick housekeeper, but knew better than to question Roman Duca.

Ten minutes later, Roman returned to his private study. He wasn't alone.

Beside him stood Silas, his head of security, a former Marine scout sniper who had been with Roman through three territory wars in South Boston. Silas carried a heavy tactical kit and a handheld thermal imaging camera.

"You think the kid is making it up, Boss?" Silas whispered, flicking the power switch on the thermal unit. "She’s six. Kids hear monsters in closet walls all the time."

"Mia isn't a normal six-year-old, Silas," Roman said, standing six feet from the library wall, his hand resting on the leather grip of the Sig Sauer stowed beneath his armpit. "And she pointed to the exact spot where the original 1794 blueprints showed a sealed chimney flue."

Silas didn't argue. He raised the thermal camera to his eye, sweeping the lens across the floor-to-ceiling mahogany bookcase.

For three seconds, nothing showed on the digital viewfinder except the cool, dark blue hues of solid timber and stone.

Then, Silas froze.

"Jesus," Silas breathed under his breath.

"What do you have?" Roman demanded.

"Look." Silas handed him the scope.

Roman pressed his eye to the rubber eyepiece. In the middle of the solid blue wall, right behind a six-foot section of leather-bound law books from the 1880s, there was a distinct, glowing orange shape.

A heat signature.

It was roughly five feet long, narrow, and suspended vertically inside the wall cavity. And as Roman watched, the orange mass expanded and contracted in a steady, rhythmic cycle.

Breathing.

"There's someone inside my wall," Roman said, his voice dropping into a register so cold it chilled the room.

"It's 2:52 AM, Boss," Silas whispered, drawing his suppressed pistol from his jacket. "The kid said three o'clock."

Roman grabbed the heavy bronze bookend from his desk, stepped up to the shelving unit, and pulled the hidden release latch concealed behind the third edition of Black’s Law Dictionary.

He had installed that release ten years ago as an emergency gun vault. He had assumed the space behind it was solid brick.

The hidden panel clicked. A seam appeared in the wood.

Slowly, silently, the bookshelf swung outward on silent steel hinges.

A wave of cold, stagnant air rushed into the warm study—an air that smelled of old mortar, damp wool, and stale sweat.

Beyond the opening lay a narrow, pitch-black vertical passage, no wider than two feet, stretching down into the foundation of the house and up toward the attic.

And directly in front of them, sitting on an iron ledge built into the brickwork, was an acoustic listening setup: a heavy military-grade receiver, digital recording drives, and a pair of high-end directional microphones drilled straight through the brick into Roman's office wall.

Sitting on a small wooden stool beside the rig was a woman.

She was frail, wrapped in a threadbare grey coat, her eyes wide with frantic, animal terror as the light from the study hit her face. Her hands were raw, her fingernails bloody from scratching against the wooden backboards of the bookcase.

In her lap, she held a short-wave radio transmitter.

"Don't move," Silas growled, raising his weapon.

The woman didn't reach for a gun. She shrank back against the cold brick, her chest heaving, her eyes darting frantically between Roman and the weapon in Silas's hand.

"Roman..." she rasped, her voice dry as dead leaves. "Please... don't let him kill me..."

May you like

Roman stepped over the threshold into the dark passage, staring into the face of a woman he hadn't seen in seven years—a woman the entire Boston underworld believed had died in a car bombing in East Boston.

"Claire?" Roman breathed, his mind reeling. "Claire Vancura?"

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