Chapter 4 - The Projection Booth

The ballroom lights began to dim for the central presentation—the twenty-minute documentary short commissioned by the Midwest Arts and Culinary Council to commemorate Brett’s decade of "transformative leadership."
Brett stood at the foot of the stage, holding a fresh tumbler of bourbon. His face was flushed with the heat of the footlights and the intoxicating rush of three venture capitalists who had just handed him their business cards with promises of nine-figure valuations.
"Where is the boy?" Brett muttered out of the corner of his mouth as Sierra slipped back to his side, smelling of fresh gloss and victory.
"With his mother," Sierra whispered back, her arm looping through his with aggressive familiarity. "Lurking around the backstage corridors. He’s disturbed, Brett. The way he looked at me in the lounge... he needs a military academy. We’ll discuss it next week when the papers are filed."
"He’s soft," Brett agreed, taking a long pull of the whiskey. "Audrey ruined him with all that farm-to-table sentimentality. A boy needs to understand leverage. Watch this reel. The agency in New York charged forty grand for the graphics alone. It makes us look like the French Laundry with twice the sex appeal."
High above the four hundred guests, in the mezzanine projection booth, Micah sat on a rolling stool between two twenty-something audio-visual technicians wearing headsets.
The technicians were eating cold sliders out of cardboard boxes. On the main terminal screen, a loading bar crawled across a blue field: *FILE TRANSFER COMPLETE: HOLLOWAY_HOUSE_10YR_FINAL_V4.MP4.*
"You sure your old man wanted the long cut, kid?" the senior tech asked, wiping grease from his thumb with a paper napkin. "The run sheet said eighteen minutes. This file is twenty-four."
"He told me ten minutes ago," Micah said, his voice entirely sweet and reasonable, the tone of an earnest young son eager to help his famous father shine. "He said the New York investors needed to see the original kitchen documentation from 2014. He said if we don't show the early archives, the tax credit for the foundation won't clear."
The tech shrugged. "Hey, he’s paying the four-hundred-dollar overtime fee. If he wants to bore these rich bastards with old paperwork before the chocolate mousse comes out, that’s his funeral."
Micah reached into his pocket and pulled out a small, metallic flash drive shaped like a vintage key. He plugged it into the secondary auxiliary port on the switcher console.
"Mom’s on the floor?" Micah asked quietly.
"Yeah," the tech said, glancing down through the slanted plate glass window at the sea of tuxedos and bare shoulders below. "She’s sitting right back at Table One. Looking like she wants to murder somebody, to be honest. Your dad’s girlfriend isn't exactly subtle with that dress."
"She’s not his girlfriend," Micah said, his small fingers resting on the master spacebar of the video terminal. "She’s just an employee who forgot what she gets paid for."
Down below, the chime sounded—three clear, resonant notes signaling that the visual presentation was beginning.
The chandeliers dimmed until the room was submerged in theatrical midnight. Four hundred faces turned upward toward the twenty-foot motorized projection screen that lowered slowly from the ornate plaster ceiling of the Blackstone ballroom.
Brett stood in the center aisle, his chest puffed out, one hand resting on the lapel of his tailored Brioni tuxedo, ready to receive the room’s awe.
"Roll it," the lead tech called into his headset.
Micah didn't press play on the agency file.
Instead, he clicked on the root directory labeled: *FINCH_ESTATE_RESTITUTION_OCTOBER.*
The massive screen flared to life, not with the sweeping drone shots of the Michigan Avenue restaurant facade or the slow-motion footage of Brett drizzling reduced balsamic over heirloom tomatoes, but with a harsh, high-resolution scan of a handwritten document dated June 14, 2013.
The handwriting was neat, slightly tilted, and written in faded blue ink on the lined paper of a spiral-bound school notebook.
At the very top of the screen, magnified to fifteen feet across, were the words:
*RECIPE REGISTRATION AND PROPRIETARY CULTURE TRANSFER: PROPERTY OF AUDREY FINCH.*
Beneath it was a notarized signature. And below that, a second signature in Brett Holloway’s frantic, jagged scrawl, beneath a clause that read:
*In the event of dissolution of partnership or marriage, all rights to the name, menus, fermentation starters, and brand intellectual property revert entirely to Audrey Finch at zero valuation.*
A collective murmur, low and confused, rippled through the front tables.
May you like
Brett froze. His glass of bourbon stopped halfway to his lips.
***